It was entirely unexpected. You see, I rarely enter competitions so it's a bit hard to win anything at all. So when I received a call saying I'd won something I think the caller could hear my distrust and disbelief and quickly identified himself. Adam Grusaukas was the Marketing Manager from Minzenmay a reputable, local, family owned jewellery store, which I've been known to frequent from time to time. "Just looking" of course ;-) They occasionally run competitions, business card draws and the like, which I enter, and promptly forget.
The prize included a double pass to the afternoon session of Cirque du Soleil's "Ovo" on Australia Day, AND popcorn AND 2 softdrinks AND chocolate :D
A feast for all the senses!
Wheeeeee! Something fun was just what I needed - this prize couldn't have come at a better time!
While waiting for the show to start we watched black clad stage-hands scamper expertly up tall pylons disappearing into the darkness as the music entwined around a massive opaque egg centre stage. Chirrups, squeaks and clicks provided an auditory background for the performers as they moved through the aisles and interacted with the audience, dressed in fantastically detailed and often sumptuous costumes.
The egg became a molten orange-red; colours swirling and pulsating ... then vanished.
Lithe, sinuous characters dressed in iridescent gauze costumes, some figure hugging (oh to be as energetic and fit as these people!) others reminiscent of armadillos, moved with balletic poise and control, at times seeming to defy gravity and be held up only by the "ooooohs" and "aaaaahs" of a spellbound audience.
Words like sensuous and voluptuous are apt for the main female character. A ladybird perhaps, coy at times, vampish and feisty at others. Her costume enhanced and celebrated her apparent size - fit, feminine and joyous - what a gorgeous role model! You're not allowed to take photos during the show, but you can see some of the characters in this promotional few seconds of Ovo here. The fly is wonderful!
The performance showcased the skills you'd hope to see at a regular circus, but enhanced into a fully self-contained show with a story line running through linking the separate parts into a satisfying whole.
|Detail of head dress|
Someone asked me which act I liked most. That's a challenge! Using one diabolo is ok, two is pretty good, by the third my eyes were crossed with the effort of working out how it was possible for it to appear so easy. That's the mark of an expert - to make a challenge appear effortless!
The clash and clang of a sword fight; whimsical, witty, energetic and believable - without swords!
And the giant slinky! Oh my! That was absolutely amazing - Which way is up? Which way is down? Is that a head, or foot, or arm ... or just a slinky? Expanding and contracting, bits appearing and disappearing. I suspect I was shaking my head in disbelief and I know I experienced more cross-eyed concentration as I tried (and failed) to work out how it was done.
Then there were the slaters. Beautiful, controlled, precise. The incredible strength and concentration of the slack-wire artist and the high wire troupe - my stomach muscles still twinge in sympathy just thinking about them.
|Intricate detailing on boots|
The finale was stunning, jaw dropping, and for me, the stuff of dreams. Trampolining at it's most elegant, gravity defying, glorious best. A multitude of trampolinists dropping from a high rock wall onto a trampoline placed along the length of the wall a bit like a river. As some were dropping others bounded upwards and appeared to walk UP the wall, not only vertically, but weaving across each other like a human tapestry being constructed before our eyes. Linking this complex movement was another figure, a woman, moving slowly and gracefully between, on, underneath and around these precision performers, high, high on the wall. She was like a beautiful slow moving, and at times sensuous limpet. Absolutely mesmerising ... wow! Did they really move in slow motion at times, or is that the eyes playing tricks due to the intricate movements and upwards momentum?
Applause for the musicians, applause for the artists, costume designers, engineers, and especially for Minzenmay Mornington for the wonderful prize. Thankyou so much. We had a wonderful time!
(From Wikipedia) The One Drop Foundation is a non-governmental organization (NGO) based out of Montreal, Canada. an initiative of Cirque du soleil founder Guy Laliberte, the foundation's mission is to fight poverty worldwide by supporting access to water and raining individual and community awareness of the need to mobilize so that safe water is accessible to everyone.
Convinced that a comprehensive, planetary approach is required to pursue its mission. One Drop works on three levels:
1. Making water accessible to those deprived of this resource;
2. Raising awareness among individuals and communities of water-related issues, the need to mobilize and the importance of adopting responsible water-management practices;
3. Helping put water at the heart of public debate and international agendas.
More about One Drop http://www.onedrop.org/en/default.aspx